Kris Casey

August 12-19th. Kris Casey is a visual artist and creative researcher from Chicago, IL. Her work draws heavily from various fields of philosophical and scientific inquiry, including evolutionary developmental biology, bio-aesthetics, evolutionary aesthetics, and genetics. Her research and practice examines relationships between biology and technology, natural and artificial, material and immaterial, subject and object. Her paintings can be seen as assemblages or accumulations of natural and technological elements whereby the biological concepts of mutation, contamination, decay, generation, emergence and metamorphosis become modes of inquiry into the production of novel forms.

Stephanie Rothenberg

Dates: August 13-26

Hello! I am Stephanie, an artist and prof from Buffalo, NY. I will be experimenting with sensors and creatures for a larger project that looks at biology as technology and living machines in extreme landscapes. I am going to try and harness the aggressive energy of crocodiles to power the blockchain.

www.stephanierothenberg.com

Peter Marting

Dates: 5-8, 11-14 Aug 2019

I am a behavioral ecologist currently based in Foz do Iguaçu, Brazil. I have a passion for artistically expressing research, and will be developing a piece that conveys how soil nutrients affects Cecropia trees and their symbiotic Azteca ants.

Ray LC

August 19 to 22.

Generative Dance in the Wild.

How do movements couple to sounds in the natural environment, and can paired dance communication by improvised both in the movements and musical composition realms? I plan to use SonicPi to generatively sample sound recorded from nature to make musical beats and rhythms. These beats will couple to pair dance metaphors in paradigms in salsa and zouk, which are popular dances in Panama. Specifically the project consists of the following phases.

  1. Record sounds in the natural environment of Panama and use them to construct simple phrases in SonicPi, choosing the right envelopes to synthesize beat sounds which, when live-looped together, produces Latin-like rhythms.
  2. Begin recruiting conference attendees for a performance which involves dancing in sync to the collected beats. I will train those who are not familiar with simple steps of salsa and bachata latin dancing so that all can practice together even without formal training.
  3. We will construct a wearable interface for switching between different SoniPi sketches for generating different sounds. We will prototype a teensy-based device that can use accelerometer data to switch between beats. The choice will depend on the leader in the dance pair.
  4. We will user test a pair of dancers, one of whom (leader) can switch between rhythms and music that inspires different dance forms and speeds. The leader can choose both her steps and the musical rhythms being generated. For example, she can choose to dance bachata rather than salsa, or to have a dip in the salsa, and can choose the musical motifs appropriate to these specific actions.
  5. If time permits, we will organize a Casino Rueda performance using pairs of dancers who can all control the music in different ways. If the technology does not permit it, we can prototype the process using calls much like in Casino Rueda, giving our DJ a cue to change the music.

The project investigates whether improvisation in dance can be coupled also to improvisation in music. Can we create a system for both changing the musicality and the movements in dance? We aim to investigate this in a natural context where Latin rhythms and natural sounds can be used as samples to create a performance of higher order improvisation.

Ray LC is an interdisciplinary artist and designer who incorporates cutting edge neuroscience research as a foundation for building experiences that create empathic bonds between humans and between humans and machines. He previously published papers on PTSD and creativity at UCLA and Japan’s RIKEN institute, and is currently a researcher at Parsons School of Design and Cornell Medical College. He’s currently designing an exhibit on computational vision as Designer in Residence at NYSCI: New York Hall of Science. Ray LC constructs physical installations, interactive experiences, and narrative works from the multidisciplinary perspectives of creative technology, art, and science. He works in interdisciplinary teams of collaborative experts like psychologists, software engineers, fashion designers, physical therapists, and creative coders. http://www.raylc.org/

Saad Chinoy

saad totally not photoshopeed

Dates: Jun 1 – Jun 6

Project: Mud-Microbial fuel cell, and midichlorians.
Also perhaps a caffeine making machine and an attempt at Nidhi Mittal’s bio-plastic

Bio:
Saad is a professional geek with a passion for coffee, technology, and the OpenSource way of doing things. For a living he conceptualizes tech solutions for Tusitala, the digital publishing arm of Potato Productions. Tusitala means “story-teller”.  Tusitala is on the look out for Asian stories that adopt the interactivity of the digital medium to go beyond the page, without trying to replace it. “trans-media storytelling” as the marketese would have it. Saad also volunteers with several non-profits and strongly believes that social enterprises should be the key users of and contributors to OpenSource tech. Enough of that boring day-job stuff.

Saad is a self-confessed maker of sometimes brilliant but mostly useless things and coffee geek. There, that’s better.

Ask me about the network of innovators that I’m now (extremely grateful to be) a part of: The Global Innovation Gathering

#weAreWhatWeCreateTogether.

mud microbe fuel cell
it’s alive! microbes producing electricity