Whilst at DiNaCon (August 14-20) I will collect unique fauna and water samples and take images of their microscopic biological structures. I will also record bio data, including audio, and the movement of gases and moisture, from inside trees and waterways. This data will be used to create PUL$E, a new digital art installation by PluginHUMAN (Betty Sargeant and Justin Dwyer).
PUL$E places audiences in the centre of a multi-sensory experience that’s controlled by the life force of trees. Through this project we aim to forge deep connections between people and our natural environment, raising questions around ecological conservation in the age of economic rationalism. The development of PUL$E is being fed by a wide range of field trips (to the Amazon, Panama, Taiwan, remote Australia etc) where PluginHUMAN are collecting data from significant local trees and waterways.
The PUL$E installation will feature the internal microscopic structure of significant international trees. This data will be enlarged and printed onto acrylic sculptural forms. The printed acrylic sculptures will be lit by full-colour programmable LED lights. The light show will be controlled by bio data collected from the significant international trees. This bio data will reflect the gas, movement, moisture and sounds from inside the trees. Audiences will be surrounded by environment-controlled audio, visuals and aromas in an immersive art encounter.
Project: Interactive sculpture, “Fabricated foliage.” I will be researching, augmenting, and replicating jungle flora to create an interactive, responsive sculpture that emulates the sounds of rustling leaves, though with non-natural materiality. As a back-up to this project, I will be experimenting with fish scale structures and making an interactive, mobile sculpture using structures inspired by particular natural fish scales. As a back-up-back-up, I am coming to Dinacon ready to be inspired, and ready to make!
Bio:Emily Volk is a recent graduate of the University of Colorado, Boulder, now embarking on the world. Her research and curiosity spans science and art disciplines. Specifically, her prior research delves into bioinspired engineering designs. In undergraduate research, she has extensively studied the mechanics of fish scale structures, with application to novel flexible armor designs and biomimetic swimming robots. Importantly, Emily believes that science is nothing if not shared, and continually works to creatively infuse data-driven projects with aesthetics to appeal to a wide audience. This passion has led to great collaborations in the Boulder, Colorado community, including events, conference panels, immersive performances, public installations, data-driven storytelling, and innovative course design. She is so excited to launch out of university and into Gamboa, Panama, to meet all of you thinkers and makers, all while frolicking outside!
Relax and listen to Gregory Hanks Green play the Khaen a traditional Lao/Thai mouth organ made of bamboo pipes, as colors reveal the garden forms of the Thai forest. Curate the sound of the Khaen and the colors of the nocturnal garden by touching the tropical plants. Discover each note or song and color the touch triggers. Gregory Hanks Green, the curator of the Echols Collection of Southeast Asian music at the Cornell music library is also a Khaen player. Green can be heard in the Nocturnal Garden playing a song on the Khaen in the Lai Nyai mode or create your own Khaen song as you touch the leafy plants. Khaen is tradition Thai and Laotian free reed instrument that sounds when the player breathes in or out. A touch of the plants provokes a note on the khaen or a complete song played by Green as well as an array of twilight colors.
Collaborators: Artist Joan Marie Kelly and Senior Lecturer at Nanyang Technological University, curated the concept, and design of the touch sensor installation specifically for the natural environment of Koh Lon Thailand and the Digital naturalism conference 2018. Senior Technical Manager, animation at NTU in Singapore Nagaraju Thummanapalli coded the music and colored LED light to sensors, Musician Gregory Hanks Green contributed the digital files of himself playing the Khaen, flutist Beth Kelly was music consultant, and Tourism Ethnographer Yuthasak Chatkaewnapanon gave cultural council of the context of the artwork. Below are 2 short videos of the Nocturnal Garden.
Vanessa Rosa is a Brazilian visual artist and art historian. She creates projects that mixtures public art, community activities, technological experiments and historical research, usually having painting as her main medium. Currently she has been developing a research about ethnocomputing/ethnomathematics, studying the algorithms embedded in traditional arts from worldwide cultures. Vanessa has worked as project coordinator for different organizations and is an illustrator and art director for Viajante do Tempo publishing company, being one of the company’s owners. She has done mural paintings, residencies, exhibitions and other projects in different countries across South and North America, Europe, Africa and Asia.