Grace Grothaus

Dates: Aug 25-31

Project: Future Seeding, a sculpture series inspired by Karel Capek: “the future is not in front of us, for it is here already in the shape of a germ (seed); already it is with us; and what is not with us will not be even in the future.” Onsite I will be continuing fieldwork in which I find, photograph, and create 3D models of seeds via photogrammetry. The lowland rainforests of Panama form a critical junction of North and South America and are so biodiverse they contain many tree species they even today are not yet part of the taxonomic system. Due to climate change, sea level rise, and anthropogenic habitat disturbances, many may even go extinct before they are scientifically known. Future seeding is an ongoing sculpture series created from the 3D models made in the field; attempted sculptural catalysts of discussion. Upon completion, each 3D printed seed sculpture will also contain a simple electronic circuit that activates an audio recording when touched. Audio artist and composer Felipe Rossi will be traveling to Dinacon with me, assisting in the field audio recording.

Bio: I am a visual artist working in physical computing and other forms to create immersive installations and performances as well as interactive paintings and sculptures. Engaging with themes of environment and technology, I produce my artworks towards the creation of moments of reflection about human agency and balance with the built and natural environment. Right now I am a MFA candidate at the University of California, San Diego where I reside with my dog and many plants.

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