Island take away sound glasses – Mónica Rikić

I came with the idea of making a playful device at the island. I brought this 3D printed google looking glasses with no lenses.

The first 2 days I was exploring the island, walking around and recording a lot of sounds.

When I was putting my materials together – arduino, glasses, sensors, speakers – I was talking to Mika and she just put one speaker in one of the lenses and it fit perfectly, so I decided to do a sound experience device with the glasses. I like the idea of ‘seeing sound’ or having an object made for one sense to feel another one.

With some of the bits and pieces put together, I still felt I needed a concept to put everything together.

One day we went to the boat to spend the day – it was amazing. We arrived to a beach at the other side of the island and we stopped there to walk around and swim. Suddenly it started raining, I was a bit cold so, funny enough, I went inside the sea which was much warmer.

I laid in the water, floating, with my eyes closed, and felt supper happy. I could hear the waves and see the lights from the clouds moving in the sky with my eyes closed. I wanted to take that moment home, so that’s what I did through the glasses.

One Arduino, 2 speakers (one for each lens), LED rings and a sound card reader made this simple device that allows you to bring the island home with you.

Tech wise, I recorded sounds of waves and compress them so they could be played by the Arduino. I placed the speakers in the lenses and, behind them, 2 LED rings that would fade in and out randomly with yellowish colors representing the lights in the sky.

The interaction works very simple: you just lay down, put on the glasses with your eyes closed and you just feel the island wherever you are.

Enjoy! (I’ll put some videos as soon as I have better internet connection)

P.S. oh! I also got a Dinacon dinosaur tattoo from Valerie 🙂

Coconut water catcher 1.0

Are your bowls too small to catch your coconut water?
Do you struggle to prevent spilling valuable electrolytes?
Is your refreshing beverage filled with gritty husk?

For the amazing price of pretty much nothing you can catch and drink your coconut water in comfort and style!

You will need to prepare:

– A 5l water or oil bottle
– 2 rubber bands
– Some filter cloth
– A knife
– A sharpie
– A coconut
– A good bashing rock
– Your official Dinacon survival water bottle

1. De-husk your coconut as demonstrated in the official Dinacon documentation: https://www.youtube.com/watch?v=4xOJsgy8HTs
2. Hold the coconut against the bottle in one hand, and trace its circumference using the sharpie with the other, leaving 4-5cm from the bottom of the bottle.
3. Cut away the plastic area you have traced.
4. Remove the top of the bottle, and fasten your filter cloth over the opening with the rubber bands. Replace the bottle top.
5. Congratulations! You have completed your Better Coconut Water Catcher v1.0

NO MORE SPILLS!!!

Crack your coconut over the catcher and collect your coconut water in comfort and style!

Remove the cap and pour out refreshing filtered coconut water into your official Dinacon survival water bottle!

https://www.sjef.nu
https://randomforest.nl

3 microfictions on Koh Lon

The idea was to adopt the point of view of select native organisms to sketch a subjective, fragmented portrait of the island, based on observations during my stay, using perspective, empathy and humor.

++++ palm ++++

i knew it was just a matter of time. but it’s important to keep up appearances, i thought. tall and slim, with my nuts at the top. once in a while, i let one drop. this is my gift to the island. anyone who dares to climb my torso and touch my private parts should know they have it coming. i wonder if the humans who drink my clear milk can taste my bitterness when they incinerate plastics and let diesel seep into the soil.

my siblings and i, beacons of baan mai. soak in the tides, survey the boats, sway with the wind, sweat with the rain. caress the air with feathered digits. and of course, blessed by the big buddha on the hilly horizon. a royal perch for the heavy hornbill. home to the golden tree snake. bejewelled by the translucent exuviae of a reborn cicada. because on the ground, we rule.

the question is, why me? neither an elder nor a sprout, just another misplaced middle child in a clan of kings. four full moons ago, it started with the beetle. she burrowed underground. i could sense her within my roots. me, tickled by her visit. she, searching for the perfect nest. because i am royalty, i thought, she chose me. then, she disappeared. it wasn’t long before i understood the curse that she had layed upon me. dozens of larvae, hatching from abandoned eggs, emerged into my entrails. hungry and blind, they ate their way through my wood. the squirming in my loins went on for days and nights, invisible to the outer world. it’s important to keep up appearances, i thought. finally, the grubs disappeared on six legs.

still, i stood straight, tall and lean. yet, turmoil had grown inside me. and dare i say, other species can sense insecurity. the fungi that grew on my skin started out as friends. we exchanged nutrients; both of us grew stronger together. but once they felt the chemical change under my bark, they too began to bite. mycelium crept into my guts, into the crevices left by raw trails. they spread and settled into patches of poisonous white fur, chewing away at the walls between the tunnels. slowly but surely, i was being eaten alive. ravaged within, savaged without. night after day, from moon up to sun down. until sunday, june 24, at 13 hours 8 minutes and 53 seconds, I crashed. i can no longer keep up appearances, i thought. this is my gift to the island.

++++ colony ++++

major 5736: vertical is now horizontal. pass it on.
major 5860: forwardbound, access to roots. check.
major 5817: trunk end, tunnels rotting, mycelium present.
major 5838: scout black ant seized, quartered, dead.
major 5839: carrying to nest 4.
minor 4072: red honeydew milked from scale insects at pasture 2.
minor 4073: carrying to nest 5.
major 6825: commuting to nest 9.
major 6812: carrying major 6813 to help build new nest.
major 3693: stretching out, can’t reach.
major 3694: climbing over, stretching out, can’t reach.
major 3695: climbing over, linking in, stretching out, can’t reach.
major 3696: climbing over, linking in, bridging up, stretching out… leaf reached.
majors 3693+3694+3695+3696: pull!
majors 3493+3494+3495+3496: pull!
majors 3711 through 3722: staple bite. hold. wait.
major 2561: carrying larva across seam. left, tap for silk. right, tap for silk. forward to next stitch, repeat.
major 9480: intruder at northwest. clamp jaw bite.
major 9488: intruder at northwest. attack stance spray.
major 7261: intruder at southeast. attack stance spray.
major 7269: intruder at southeast. clamp jaw bite.
minor 7200: intruders invading nest 1. all save the queen!
minor 7253: protect our larvae!
minor 7218: citric attack!
major 7264: no use, we’re a delicacy.
major 7237: once licked, twice bitten, all minced into garlic tapenade.
major 7999: nest may be cooked, but colony will survive.
major 8000: bon appétit, humans!

++++ hermit ++++

what are you, blind? can’t you see i live here? i know my jade green shell is drop-dead gorgeous, that’s why i chose it. i like the way it accents my bright red body. my old shell didn’t do me justice, but at least it fit. anyway, i outgrew it last month. this jewel fits me like a gem. i’ve finally found the perfect shell, and it’s mine. so bugger off, little crab, you’re too small. better yet, wait in line with the others. your time will come if you’re patient. the last time a human tried to steal my shell, i pinched so hard she tossed me back into the water on the spot. anyway, i prefer kayak rides. one can travel very far, see many more shells of all colors and stripes. in fact, on the other shore i spotted a sharp black and white shell on a snail at high tide. now that would help me stand out among my peers. not like those entire nudie beaches branded blue and red. and some crabs are so flashy they don’t even need shells. just hiding all that iridescent purple blue pink yellow gaudiness underneath a rock, what a waste. besides, they’re huge. if i want a break from the spotlight i’ll duck into some barnacled coral. block the hole with a slug. as long as a moray eel hasn’t already laid dibs, i’m safe. i mean, i’m not always looking for a fight. those sand-camouflaged cannibals are ruthless. if one of them isn’t brandishing some other crab’s claw like a victory torch, it’s dragging another severed torso off for dinner. i may be a scavenger, but i’m not a barbarian. sand bubblers, on the other hand, they have a sense of esthetics. those tiny critters sieve their nutrients right out of the sand at low tide, then after breakfast they leave us with a bubbly mandala on the beach. all that’s really missing is color. now what would mantis shrimp see? even the little ones reflect color, algae green legs moving like a millipede under the microscope, or so i’ve heard. and peacock mantis shrimp, they see psychedelic rainbows. i mean, they are psychedelic rainbows. but then, color isn’t everything. look at the cucumbers, then look at the urchins: same color, totally different shape. the urchins, however, have pretty blue eyes and a pulsing orange heart. not to mention long and elegant spines. but then, i can’t say i spend much time with the filter feeders in the lower sublittoral. in fact, if i’m not getting run over by a stampede of slater bugs scattering across the rocks at dusk, i’m deafened by the snapping of pistol shrimp popping their prey at low tide. anyway—what’s going on?! egret sees red!? no, let go! put me down! my shell, my precious jade shell!

Thank you — to Andy, for leading and encouraging independent discovery of our immediate natural environment, to Tasneem, for her scientific expertise and optimizing our kayak trip around the island, to all the “dinasaurs” who shared this experience with me.

Cherise
June 24-29

Success with water-adapted augmented reality (AR)

Success with water-adapted augmented reality (AR). Aquatic AR goggles, immersive AR environments … ImmerSea: Subversive Submersibles built and tested in installation experimentations creative real time overlays for experience alteration. Now tabulating off locus reactions.

Coconut Crunching

TEAM

Check yr Head!

iPad with AR software in the Andaman Sea

Coming soon: We went on the Andaman Sea with six speaker sound fully inflated with compressor zorbatronics and spread the binaural beats across the six speaker immersive submergable and so we had 6d sextanaural sonic body responsive hypno-googah. 

 

The Department of Amphibological Research is now open for submissions!

Here at the Department of Amphibological Research, we take image recognition on new expeditions in the natural world and tease out the limits of artificial intelligence. We invite you to collaborate with our team by providing new inspiration for our amphibological experiments.

How to get involved:

Submit a specimen for analysis by photographing something in your environment and running it through an AI image recognition software (like this or this e.g.) and sending us the results. We’ll use these to create new amphibological studies for the archive.

As a token of our appreciation, you’ll receive one of our snazzy official patches (below) and a credit on the site!

Additionally, we’d love to hear from participants that have expertise in machine learning and any artists interested in creating amphibological drawings.

Yours in ambiguity,

Pamela + Matteo

Dept of Amphibological Research

Vanessa Rosa

Dates: June 5 – June 26

Vanessa Rosa is a Brazilian visual artist and art historian. She creates projects that mixtures public art, community activities, technological experiments and historical research, usually having painting as her main medium. Currently she has been developing a research about ethnocomputing/ethnomathematics, studying the algorithms embedded in traditional arts from worldwide cultures. Vanessa has worked as project coordinator for different organizations and is an illustrator and art director for Viajante do Tempo publishing company, being one of the company’s owners. She has done mural paintings, residencies, exhibitions and other projects in different countries across South and North America, Europe, Africa and Asia.

Rupesh Bhattarai

Dates: June 3rd-June 14th

Project: Rupesh will be working on a children’s’ storybook project. The storybook features true stories of local individuals in Kathmandu working in technology.

Bio: Rupesh is an educator and a writer living in Kathmandu.
A primary school classroom is one of his most favorite places to be in. Rupesh started reading child magazines in kindergarten, developed a love for writing in the second grade, an unquenchable awe and enthusiasm to learn science when he was a fourth grader.
His interests have pushed him to become an educator working to foster modern thinking skills in his students through STEAM education, with “Karkhana”.
He is a part of the “Word Warriors”, a local spoken word poetry community in Kathmandu. He performs in local poetry gigs, and experiments with different aspects of poetry with “Kavindrapur”, a little poetry collaborative that he co-founded.

Erik Zepka

Erik Zepka has a wide field of interests, with having previous experience as a lab biologist, artist, media creator, writer, and hacker. He is open to all of DINACONs  themes, with a slight preference for creating an art project while being here on the island, throwing his background in the mix.  With this, he will attempt to create ‘ science fictional environments’  for the viewer, that will combine critique of bureaucratized science, open research speculation and play, taking advantage of what the immediate environment best affords.

 

Raune Frankjær

[01/7 – 07/7]

I will spin some webs and lace up some tree(s). The webs will be connected to trees with bio-sensors and emit acoustic signals mediating the plants inner state, blending with the local soundscape…well, so the theory…

Hopefully it will sing  ….

Bio: Currently I am a Phd student at Aarhus University in Denmark, combining craft and digital tech to engender sympoietic experiences and new relationships between us humans and all the others with whom we share the planet. I have a M.A in Intermedia Design from Germany, a Diploma in Photography from South Africa, and a few years training in Architecture. I am also an self-taught artisan and maker.

more about me here: http://frankjaer.de